Mamma Andersson

Painters often draw from existing visual materials, such as photographs and reproductions of past works of art, to construct their work. Mamma Andersson is no exception but takes the process a step or two further, importing images of stacks of books and stray photographs, clipped from various sources, into her compositions. Her psychologically-charged paintings have an eerie sense of familiarity, as collaged dreamscapes cluttered with common imagery and accumulated biblio-ephemera.